Copyright/OCL Earliest posts General

Australian Fair Use Discussion Paper

The Attorney General’s Dept has posted a discussion paper on the implementation of ‘fair use’ in Australia post DMCA/FTA.

Read it here

Copyright/OCL Earliest posts General

Open Source As Culture/Culture As Open Source

Siva Viyahadyanathan wrote an excellent introductory book to US Copyright, the DMCA etc a few years back titled Copyrights & Copywrongs. Here he is again with an article on Open Source.

“Abstract: The Open Source model of peer production, sharing, revision, and peer review has distilled and labeled the most successful human creative habits into a techno- political movement. This distillation has had costs and benefits. It has been dif cult to court mainstream acceptance for such a tangle of seemingly technical ideas when its chief advocates have been hackers and academics. On the other hand, the brilliant success of overtly labeled Open Source experiments, coupled with the horror stories of attempts to protect the proprietary model of cultural production have served to popularize the ideas championed by the movement. In recent years, we have seen the Open Source model overtly mimicked within domains of culture quite distinct from computer software. Rather than being revolutionary, this movement is quite conservatively recapturing and revalorizing the basic human communicative and cultural processes that have generated many good things.”


Copyright/OCL Earliest posts General

Public domain and museums/galleries

Gara sent me this earlier in the week.

“From CNI – Project Briefing: Spring 2005 Task Force Meeting
Public Domain Art in an Age of Easier Mechanical Reproducibility
Kenneth Hamma
Executive Director, Digital Policy & Initiatives J. Paul Getty Trust

Instead of asserting intellectual property rights in images of public domain works as nearly every art museum does now, it is argued here that publicly and pro-actively placing these images in the public domain and clearly removing all questions about their availability for use and reuse would likely cause no harm to the financial position or trustworthy reputation of any collecting institution and would demonstrably contribute to the public good. As those images have become digital assets and as the preferred delivery venue has become increasingly an electronic network, the ante has been raised to do so. The manner in which this might be done may require consultation with legal counsel. The fact of doing it, however, is not a legal decision but a business decision that can be evaluated by non-profits in measuring success against the mission.”

Copyright/OCL General Interactive Media

Recent email links I sent around

Here’s a collection of stuff I’ve sent around recently.

Media History/Googlezon

Interesting future projection of media/

Processing – open source programming language for artists

This is very cool – check the exhibition section for a quick overview. There are full tutorials here. Maybe James Hancock and Tom Ellard could put together a course in it for the Vector Lab.

Music Map

Relations between different artists and bands. Similar to visual thesaurus.

RFID used to sell artworks

Rushkoff on Open Source & Democracy

“The emergence of the interactive mediaspace may offer a new model for cooperation. Although it may have disappointed many in the technology industry, the rise of interactive media, the birth of a new medium, the battle to control it and the downfall of the first victorious camp,taught us a lot about the relationship of ideas to the media through which they are disseminated.Those who witnessed or, better, have participated in the development of the interactive mediaspace have a very new understanding of the way that cultural narratives are developed, monopolised and challenged. And this knowledge extends, by allegory and experience, to areas far beyond digital culture,to the broader challenges of our time.” (Rushkoff)