There are some very interesting experiments going on in the documentary format right now and last week I got the chance to explore some of the latest at the Tribeca Film Festival.
Door Into The Dark pitches itself as a ‘sensory documentary experience for one’ and is a wonderful mix of immersive theatre, spatial exploration, and storytelling. It was made by UK duo Anagram and first presented by Bristol’s Watershed. Wearing a sensory deprivation helmet and headphones you walk, blind, through a door into a landscape where you grasp for a rope and follow it, zigzag-ing through what feels like an enormous cavern . . . until the rope runs out . . . As you timidly grope in the dark, stories of different people who have lost their sight, their way, or their understanding of themselves are revealed using a mix of narration and first-person stories. Deprived of sight, you concentrate more on your other senses and this has the effect of building empathy with those whose stories you are hearing – although, crucially, at no point do you feel like you are ‘in their shoes’. That distinction is important.
Door Into The Dark uses iBeacons to trigger story elements and audio instructions as you wander, (although mine malfunctioned 3/4 of the way through sending me into a loop), it reminded me a lot of Halsey Bergund’s work like Scapes and experimental audio-only mobile games like Papa Sangre, as much as it did of immersive theatre. The clever use of physical props – the ropes, and later, a rather terrifying rock climb – combined with sensory isolation made this something really quite special.
I was fitted with a bio-tracker for My 40 minute journey into the dark as part of Anagram’s evaluation, and I’m looking forward to seeing the results. As I mentioned in my write up of If Book Then, the interest in the ‘monitoring of affect’ by authors is going to result in some very interesting new forms of ‘responsive storytelling’ in the next few years.
If you’re interested in privacy and the web (you should be!) then there is also the seven part Do Not Track from a consortia of Canadian and European partners. Packaged as a web series it has light interactivity that applies the main ideas of each episode to your own browsing habits, demonstrating that you, as a viewer, are not watching some abstract concept, but that you are already directly in-/af-fected.
The Harmony Institute has just sent me a visualisation of my heart rate throughout the Door in the Dark experience. And here it is!
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